With every successful deal, Rajesh finds himself more embo
ldened, and the steady flow of money helps him get into the good books of his girlfriend Poonam (Piaa Bajpai). He learns to look away when Shankar acquires blood from poor rickshaw drivers, and becomes an expert in spotting potential donors and extracting a bottle of blood within minutes.
But when things start to unravel, Rajesh finds himself at odds with Shankar and unable to handle the illegal operation. Afzal focuses on the relationship between the two men, choosing to gloss over the specifics of their deadly trade and the dynamics of a healthcare system which allows this kind of business to flourish.
The narrative is thin and repetitive, and the film relies mostly on the charms of its two leading men to carry the burden of a middling screenplay. The dialogue lacks spark and the director takes his own sweet time getting to the conclusion.
If it weren’t for Hooda and Oberoi, “Laal Rang” would have been a different film. It is to their credit that they infuse some blood into an otherwise lifeless narrative. By Agencies.
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